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Artistic approach

Passing emotions

 

During my first encounters with the art world, I heard about creativity, gift, know-how, Fine Arts, gallery owners, art dealers, cursed artists, skinned people, blank pages.

On television I saw and heard Dali, Picasso, Cesar, lots of others and speeches more different from each other.
And then if some rested, supported themselves, justified themselves in the name of sacrosanct rules, the others loudly claimed their creative freedom.
I decided to conduct my own investigation. Art history in one hand, neuroscience guide in the other and of course experimentation.
Here are my first conclusions:

Whatever the field of application, professionalizing one's passion comes from a gift, an aptitude for practice that not everyone shares and that once discovered one must reinforce with endless hours of work.

The blank sheet is an excuse, a chimera, a justification of incapacity. Quite simply because creativity for those who have the gift is a breath, and by nature, one cannot live without breathing.

That my energy transcended itself in sharing and evolution, more than in recognition which often ends up leading to stagnation.

To stay alive, the quest for the Holy Grail must remain infinite.

My artistic approach is to offer you improvised emotional tastings around a theme. I compose visual operas, photographic concerts, light sculptures, sensual collections.

And if I rarely talk about technique, it's simply that when you go to a concert, do you need to know the scores?
Each of my creations is accompanied by a text. It is not a reading of an image, nor an analysis, it is just a thematic key.
Accept the quest that my creations offer you. Accept to become again the child who knows no limits.
This child who knew how to read stories in the clouds, this child who was one of the characters in his adventure books, tales, capable of feeling, feeling, hearing, living what he read or saw in an illustration.

Who did not need to let go, simply because he had no hold.

Richard Bach without his book, "Illusions or The Reluctant Messiah" of which he is the narrator, the apprentice messiah, through his character of the messiah looking for his replacement, is offered to vaporize clouds and strives to understand how to do it for hours, without result.
He then moves on to something else and realizes that the cloud has disappeared from the sky the moment he made it disappear from his mind.

So I suggest you open the book of what you see. An image is like the cover of a book. The first thing you see. What makes you stop on your way to take the time to observe. .
Then, turn the pages. There is the graphics page, the color page, the contrast page, the light page. We will then turn the olfactory pages, then those of sounds, noises, music, And finally, with the sounds, the vibratory world opens onto feeling, sentiments, emotions.
And this is the essence of my artistic approach.

Sharing my vision on a theme to share its emotions with you.